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Founded in 1946 in north-east Berlin, the art college in Berlin-Weißensee epitomises Berlin’s post-Second World War history – with all its new beginnings and upheavals – like almost no other institution. Above all, however, it stands for generations of designers who have shaped everyday life in Berlin. Whether it’s the Berlinale poster or the ‘International’ cinema, the S-Bahn and U-Bahn, small cars or bicycles, the world time clock or fire walls, climate-protective façades or site-specific art: lecturers, students and graduates from weißensee create designs for Berlin’s culture, for mobility, urban space, housing and climate protection.
‘Gestalten für Berlin’ highlights the connection between artistic foundations, design and practice, and presents works from the fields of industrial design and graphic design from 1946 to the present day. With an eye to both history and the present, the exhibition looks to the future: what form must design education take to find answers to the questions of our time? ‘Gestalten für Berlin’ closes a gap in the public perception of an institution that represents both East German and pan-German design.
This is a priority for the Werkbundarchiv – Museum der Dinge, which, even 35 years after the fall of the Berlin Wall, remains the only museum in Berlin to permanently exhibit East German, West German and German design together.
Exhibition design and graphics:
Mara Avendaño
Carla Baumeister
Finn Drews
Daniel Fleer
Kélian Gerva
Konstantin Hildebrandt
Matthias Hübner,
Jil Krevet
Jonas Leue
Linus Link
Elizaveta Parfenova
Lotte Riedel
Steffen Schuhmann
Catalogue:
Carla Baumeister
Darja Lewin
Sarah Becker
Jil Krevet
Maja Zaheer
Supported by:
Thilo Albers